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GUIDE TO RUGS: DEFINITIONS AND DETAILS TO HELP YOU CHOOSE

ALL-OVER DESIGN

A rug with a repeating pattern that fully covers the rug edge-to-edge, with no contrasting center or border.

ARABESQUE

A popular motif of intertwining vines, flowers and leaves.

AUBUSSON

An influential center of French carpet production from the mid-17th century through the 19th century. Aubusson-style typically feature rugs with floral and architectural motifs.

AXMINSTER LOOM

A popular choice for replicating antique rug designs because of the flexibility it offers in color and design.

BACKING

Heavy protective fabric secured to the back of hooked rugs.

BORDER

A contrasting design of color surrounding the rug field.

BRAIDED RUG

Reversible rug made of yarn or fabric that is braided and then sewn together in a spiral pattern.

CARVING

A method of emphasizing rug pattern details by hand-carving certain areas, creating a dimensional effect.

DENSITY

A combination of the number of yarns and the height of the pile in a specific section of a rug; higher density denotes higher quality.

FIELD

The portion of the rug surrounded by the border.

FLAT WEAVE

Kilim, soumak, and other no-pile rugs woven without knots; the weft strands are passed through the warp strands.

FRINGE

Warp yarns extending from both ends of a rug.

GROUND

The color that forms the rug's background, surrounding and setting off its pattern.

HAND-KNOTTED

The process in which weavers loop and secure the pile yarns around the warp fibers; they are tied individually, one row at a time, and then cut. The higher the KPSI (knots per square inch), the finer the rug.

HAND-TUFTED

The process in which weavers use a single-needle tool to push yarn through the back of cloth (such as canvas) that has been stenciled with the rug pattern. A secondary backing protects and anchors the yarn.

HEIRLOOM WASH

A special process that gives a new rug an antique look by reproducing the sheen that is otherwise acquired over time.

KILIM

A flat-weave rug with a tapestry-like design, originally used as a protective wrap for finer hand-knotted rugs, such as wool rugs.

MEDALLION

A large motif set off from the field, usually in the center. Typical shapes are round, diamond, octagonal, or hexagonal. A small flower or bouquet motif at the top and bottom of a medallion is called a pendant.

NEW ZEALAND WOOL

The whitest wool, so dyes produce truer, cleaner colors. Wool offers the greatest durability and develops a lovely patina while retaining its softness. It is also naturally flame-resistant.

OUSHAK

A rug characterized by large motifs in earthy colors with reddish accents. Inspired by the weavings of Turkish nomadic tribes, who used limited colors, simple designs, sturdy yarn and large knots.

PILE

The surface of the rug, sometimes called the "nap" or "face." Pile height is determined when the yarn is cut after knotting or tufting, and is measured from the backing to the tip of the yarn. A hand-knotted rug has a lower pile than a hand-tufted rug.

SAVONNERIE

A style of hand-knotted rug with a floral medallion, open field, and broken borders. The original 17th-century Savonnerie workshops in Paris created weavings for royalty and visiting dignitaries.

SOUMAK(SOUMAC)

A technique for creating a flat-weave carpet in which wefts are pulled over, then wrapped under, a series of warps.

TABRIZ

A major weaving center for centuries and the term for a double-weft rug with Turkish knots. Typical Tabriz patterns include medallions, hunting motifs, and pictorial rugs.

TRANSITIONAL RUGS

A broad category between traditional and contemporary. Many floral patterns are included in this category.

VEGETABLE DYES

Natural dyes produced from berries, roots and bark. Their subtle colorations give rugs an antique look.
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